{"id":6049,"date":"2023-10-04T07:47:55","date_gmt":"2023-10-04T05:47:55","guid":{"rendered":"https:\/\/kyroartgallery.com\/artista\/gino-sabatini-odoardi\/"},"modified":"2026-01-13T11:31:09","modified_gmt":"2026-01-13T10:31:09","slug":"gino-sabatini-odoardi","status":"publish","type":"artista","link":"https:\/\/kyroartgallery.com\/en\/artist\/gino-sabatini-odoardi\/","title":{"rendered":"Gino Sabatini Odoardi"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"6049\" class=\"elementor elementor-6049 elementor-47\" data-elementor-post-type=\"artista\">\n\t\t\t\t<div class=\"elementor-element elementor-element-35e0b32d e-flex e-con-boxed e-con e-parent\" data-id=\"35e0b32d\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-7f701252 e-flex e-con-boxed e-con e-parent\" data-id=\"7f701252\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6daca601 e-n-tabs-mobile elementor-widget elementor-widget-n-tabs\" data-id=\"6daca601\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;tabs_justify_horizontal&quot;:&quot;start&quot;,&quot;horizontal_scroll_mobile&quot;:&quot;enable&quot;,&quot;horizontal_scroll&quot;:&quot;disable&quot;}\" data-widget_type=\"nested-tabs.default\">\n\t\t\t\t\t\t\t<div class=\"e-n-tabs\" data-widget-number=\"1840031233\" aria-label=\"Tabs. Open items with Enter or Space, close with Escape and navigate using the Arrow keys.\">\n\t\t\t<div class=\"e-n-tabs-heading\" role=\"tablist\">\n\t\t\t\t\t<button id=\"e-n-tab-title-18400312331\" data-tab-title-id=\"e-n-tab-title-18400312331\" class=\"e-n-tab-title\" aria-selected=\"true\" data-tab-index=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"e-n-tab-content-18400312331\" style=\"--n-tabs-title-order: 1;\">\n\t\t\t\t\t\t<span class=\"e-n-tab-title-text\">\n\t\t\t\tWorks\t\t\t<\/span>\n\t\t<\/button>\n\t\t\t\t<button id=\"e-n-tab-title-18400312332\" data-tab-title-id=\"e-n-tab-title-18400312332\" class=\"e-n-tab-title\" aria-selected=\"false\" data-tab-index=\"2\" role=\"tab\" tabindex=\"-1\" aria-controls=\"e-n-tab-content-18400312332\" style=\"--n-tabs-title-order: 2;\">\n\t\t\t\t\t\t<span class=\"e-n-tab-title-text\">\n\t\t\t\tAbout\t\t\t<\/span>\n\t\t<\/button>\n\t\t\t\t<button id=\"e-n-tab-title-18400312333\" data-tab-title-id=\"e-n-tab-title-18400312333\" class=\"e-n-tab-title\" aria-selected=\"false\" data-tab-index=\"3\" role=\"tab\" tabindex=\"-1\" aria-controls=\"e-n-tab-content-18400312333\" style=\"--n-tabs-title-order: 3;\">\n\t\t\t\t\t\t<span class=\"e-n-tab-title-text\">\n\t\t\t\tSolo Show\t\t\t<\/span>\n\t\t<\/button>\n\t\t\t\t<button id=\"e-n-tab-title-18400312334\" data-tab-title-id=\"e-n-tab-title-18400312334\" class=\"e-n-tab-title\" aria-selected=\"false\" data-tab-index=\"4\" role=\"tab\" tabindex=\"-1\" aria-controls=\"e-n-tab-content-18400312334\" style=\"--n-tabs-title-order: 4;\">\n\t\t\t\t\t\t<span class=\"e-n-tab-title-text\">\n\t\t\t\tGroup Show\t\t\t<\/span>\n\t\t<\/button>\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"e-n-tabs-content\">\n\t\t\t\t<div id=\"e-n-tab-content-18400312331\" role=\"tabpanel\" aria-labelledby=\"e-n-tab-title-18400312331\" data-tab-index=\"1\" style=\"--n-tabs-title-order: 1;\" class=\"e-active elementor-element elementor-element-1d96fff5 e-con-full e-flex e-con e-child\" data-id=\"1d96fff5\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-251b9ef7 elementor-arrows-position-outside elementor-pagination-position-outside elementor-widget elementor-widget-image-carousel\" data-id=\"251b9ef7\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;slides_to_show&quot;:&quot;1&quot;,&quot;autoplay_speed&quot;:3200,&quot;effect&quot;:&quot;fade&quot;,&quot;navigation&quot;:&quot;both&quot;,&quot;autoplay&quot;:&quot;yes&quot;,&quot;infinite&quot;:&quot;yes&quot;,&quot;speed&quot;:500}\" data-widget_type=\"image-carousel.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-image-carousel-wrapper swiper\" role=\"region\" aria-roledescription=\"carousel\" aria-label=\"Opere\" dir=\"ltr\">\n\t\t\t<div class=\"elementor-image-carousel swiper-wrapper\" aria-live=\"off\">\n\t\t\t\t\t\t\t\t<div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"1 of 6\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/kyroartgallery.com\/wp-content\/uploads\/2026\/01\/01-Senza-titolo-2023-Quattro-libri-dellArchiettura-1-768x1024.jpg\" alt=\"\u201cUntitled\u201d2023 (Quatto libri dell\u2019Architettura di Andrea Palladio) Polystyrene thermoforming, wood, enamel and canvas Cm. 70 x 60 x 23\" \/><figcaption class=\"elementor-image-carousel-caption\">\u201cUntitled\u201d2023 (Quatto libri dell\u2019Architettura di Andrea Palladio)\nPolystyrene thermoforming, wood, enamel and canvas  \nCm. 70 x 60 x 23 \n<\/figcaption><\/figure><\/div><div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"2 of 6\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/kyroartgallery.com\/wp-content\/uploads\/2026\/01\/2-Senza-titolo-2023-Ritratto-di-Andrea-Palladio-John-Ward-Dunsmore-1-768x1024.jpg\" alt=\"\u201cUntitled\u201d 2023 ( Portrait of Andrea Palladio - John Ward Dunsmore) Polystyrene thermoforming, wood, enamel and canvas Cm. 70 x 60 x 23\" \/><figcaption class=\"elementor-image-carousel-caption\">\u201cUntitled\u201d 2023 ( Portrait of  Andrea Palladio - John Ward Dunsmore)\nPolystyrene thermoforming, wood, enamel and canvas  \nCm. 70 x 60 x 23  \n<\/figcaption><\/figure><\/div><div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"3 of 6\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/kyroartgallery.com\/wp-content\/uploads\/2026\/01\/5-Senza-titolo-2023-1-869x1024.jpg\" alt=\"\u201cUntitled to Andrea Palladio\u201d 2023 Ink on polystyrene, wood and enamel Cm. 210 x 110 x 46\" \/><figcaption class=\"elementor-image-carousel-caption\">\u201cUntitled to Andrea Palladio\u201d 2023\nInk  on polystyrene, wood and enamel \nCm.  210 x 110 x 46 \n<\/figcaption><\/figure><\/div><div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"4 of 6\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/kyroartgallery.com\/wp-content\/uploads\/2026\/01\/6-Senza-titolo-con-valigia-2022-1-1024x768.jpg\" alt=\"\u201cUntitled with suitcase\u201d 2022 Polystyrene thermoforming, wood, velvet, leather, aluminium Cm. 36 x 64 x 44\" \/><figcaption class=\"elementor-image-carousel-caption\">\u201cUntitled with suitcase\u201d 2022\nPolystyrene thermoforming, wood, velvet, leather, aluminium\nCm. 36 x 64 x 44\n<\/figcaption><\/figure><\/div><div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"5 of 6\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/kyroartgallery.com\/wp-content\/uploads\/2026\/01\/7-Senza-titolo-con-comodino-2019-1-711x1024.jpg\" alt=\"\u201cUntitled with bedside table\u201d 2019 Wood, enamel, Polystyrene thermoforming Cm. 120 x 90 x 50\" \/><figcaption class=\"elementor-image-carousel-caption\">\u201cUntitled with bedside table\u201d 2019\nWood, enamel, Polystyrene thermoforming\nCm. 120 x 90 x 50 \n<\/figcaption><\/figure><\/div><div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"6 of 6\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/kyroartgallery.com\/wp-content\/uploads\/2026\/01\/12-Senza-titolo-decentrato-2016-1-870x1024.jpg\" alt=\"\u201cUntitled decentralized\u201d 2016 Acrylic on canvas, wood, enamel, polystyrene and glass Cm. 40 x 60 x 7\" \/><figcaption class=\"elementor-image-carousel-caption\">\u201cUntitled decentralized\u201d 2016\nAcrylic on canvas, wood, enamel, polystyrene and glass \nCm. 40 x 60 x 7\n<\/figcaption><\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-swiper-button elementor-swiper-button-prev\" role=\"button\" tabindex=\"0\">\n\t\t\t\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-eicon-chevron-left\" viewBox=\"0 0 1000 1000\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M646 125C629 125 613 133 604 142L308 442C296 454 292 471 292 487 292 504 296 521 308 533L604 854C617 867 629 875 646 875 663 875 679 871 692 858 704 846 713 829 713 812 713 796 708 779 692 767L438 487 692 225C700 217 708 204 708 187 708 171 704 154 692 142 675 129 663 125 646 125Z\"><\/path><\/svg>\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-swiper-button elementor-swiper-button-next\" role=\"button\" tabindex=\"0\">\n\t\t\t\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-eicon-chevron-right\" viewBox=\"0 0 1000 1000\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M696 533C708 521 713 504 713 487 713 471 708 454 696 446L400 146C388 133 375 125 354 125 338 125 325 129 313 142 300 154 292 171 292 187 292 204 296 221 308 233L563 492 304 771C292 783 288 800 288 817 288 833 296 850 308 863 321 871 338 875 354 875 371 875 388 867 400 854L696 533Z\"><\/path><\/svg>\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"swiper-pagination\"><\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div id=\"e-n-tab-content-18400312332\" role=\"tabpanel\" aria-labelledby=\"e-n-tab-title-18400312332\" data-tab-index=\"2\" style=\"--n-tabs-title-order: 2;\" class=\" elementor-element elementor-element-576771c6 e-con-full e-flex e-con e-child\" data-id=\"576771c6\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-254a8485 elementor-widget elementor-widget-text-editor\" data-id=\"254a8485\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p class=\"p1\"><b>Gino Sabatini Odoardi (Pescara, 1968)<\/b><\/p><p class=\"p1\">Si \u00e8 diplomato al Liceo Artistico di Pescara e successivamente in Pittura all\u2019Accademia di Belle Arti dell\u2019Aquila discutendo una tesi in Estetica sulla fenomenologia del \u201cSilenzio\u201d con Massimo Carboni. Nel 2011 \u00e8 stato invitato alla 54\u00b0 Esposizione Internazionale d\u2019Arte La Biennale di Venezia, Padiglione Italia (Arsenale).<\/p><p class=\"p1\">Determinanti nella sua formazione sono gli incontri con\u00a0Fabio Mauri\u00a0\u2013 con cui nel 1997 \u00e8 performer in\u00a0<i>Che cosa \u00e8 il fascismo<\/i>\u00a0alla Kunsthalle di Klagenfurt e di cui diventa in seguito assistente \u2013 e con\u00a0Jannis Kounellis, del cui Seminario-Laboratorio del 1998 a L\u2019Aquila (a cura di Sergio Risaliti) \u00e8 allievo. Nel 2006 partecipa inoltre al workshop con\u00a0Antoni Muntadas\u00a0nello spazio Viafarini di Milano, a cura di Gabi Scardi.<\/p><p class=\"p1\">Tra i vari premi: nel 1999 riceve da Alfred Pacquement (Centre Georges Pompidou)\u00a0<i>Le prix des Jeunes Cr\u00e9ateurs<\/i>\u00a0all\u2019\u00c9cole Nationale Sup\u00e9rieure des Beaux-Arts di Parigi; nel 2005 ottiene la\u00a0<i>Menzione Speciale<\/i>\u00a0al Premio Celeste, a cura di Gianluca Marziani; nel 2024 riceve il\u00a0<i>Premio Speciale Rivista d\u2019Arte<\/i>\u00a0al 51\u00b0 Premio Sulmona, a cura di Ivan D&#8217;Alberto.<\/p><p class=\"p1\">Nel 2010 Logos Edizioni ha pubblicato il catalogo monografico\u00a0<i>Postumo al nulla<\/i>, curato da Massimo Carboni e Francesco Poli. Pi\u00f9 recentemente, nel 2023, Maretti Edizioni gli ha dedicato il volume\u00a0<i>Tra le pieghe del dubbio<\/i>, con testi di Claudio Libero Pisano e Adriana Polveroni.<\/p><p class=\"p1\">\u201cTermoformatura in polistirene\u201d \u00e8 la definizione tecnica del procedimento sfruttato dall\u2019artista per realizzare gran parte dei suoi lavori, l\u2019appropriazione di tale processo materico lo rende artista unico nel panorama italiano e internazionale. Il suo lavoro \u00e8 presente in numerose collezioni pubbliche e private in Italia e all\u2019estero.<\/p><p class=\"p2\">La ricerca di Sabatini Odoardi si configura come una riflessione sull\u2019inconoscibilit\u00e0 del mondo attraverso temi universali come il tempo e il concetto di postumo, lo spazio, la memoria ma anche aree simboliche come il dogma (politico e religioso), il bicchiere \u2013 simbolo anti\/simbolico che negli anni l\u2019artista ha reiterato in infinite soluzioni \u2013 o la piega, spesso declinata nel drappo e nel panneggio, considerata dall\u2019artista \u00abun labirinto nomade senza finestre in grado di celare gli innumerevoli risvolti della vita, dove niente \u00e8 chiaro e rivelato\u00bb. Le opere affrontano i grandi enigmi dell\u2019esistenza con modalit\u00e0 sempre nuove dove segno, disegno, pittura, scultura e installazione si intersecano senza soluzione di continuit\u00e0, generando cortocircuiti dialettici tra forma e contenuto atti a forzare i limiti della rappresentazione. L\u2019intenzione, come dichiara l\u2019artista, \u00e8 quella di \u00abinsinuare il dubbio, rimettere in discussione la realt\u00e0, rompere gli equilibri su cui poggia la nostra cultura, in un gioco di specchi infiniti, un continuo rimando senza risposta\u00bb.<\/p><p class=\"p1\">Dal 2017 \u00e8 docente ordinario di Plastica Ornamentale e Tecniche Plastiche Contemporanee presso l\u2019Accademia di Belle Arti di Frosinone. Vive e lavora a Pescara.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div id=\"e-n-tab-content-18400312333\" role=\"tabpanel\" aria-labelledby=\"e-n-tab-title-18400312333\" data-tab-index=\"3\" style=\"--n-tabs-title-order: 3;\" class=\" elementor-element elementor-element-1d3d1318 e-con-full e-flex e-con e-child\" data-id=\"1d3d1318\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6b6a3521 elementor-widget elementor-widget-text-editor\" data-id=\"6b6a3521\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p class=\"p1\"><b>2023<\/b><\/p><ul><li>Bilico,\u00a0curated by\u00a0Laura Gowen,\u00a0Gowen Contemporary, Geneva, Switzerland<\/li><\/ul><p class=\"p1\"><b>2022<\/b><\/p><ul><li>Nel cilindro del dubbio,\u00a0curated by\u00a0Beatrice Audrito,\u00a0Forte Leopoldo I, Forte dei Marmi (Lu), Italy<\/li><li>Prova generale Senza titolo,\u00a0curated by\u00a0Enzo De Leonibus,\u00a0Museo Laboratorio (ex Manifattura Tabacchi), Citt\u00e0 Sant\u2019Angelo (Pe), Italy<\/li><\/ul><p class=\"p1\"><b>2019<\/b><\/p><ul><li>Aporie,\u00a0curated by\u00a0Loredana Rea,\u00a0Fondazione Mastroianni, Castello di Ladislao, Arpino (Fr), Italy<\/li><li>Senza titolo,\u00a0curated by\u00a0Alessandro Cocchieri\u00a0and\u00a0Lorenza Lorenzon,\u00a0Museo MAP, Pontinia (Lt), Italy<\/li><\/ul><p class=\"p1\"><b>2018<\/b><\/p><ul><li>Incipit Senza titolo,\u00a0curated by\u00a0Alessandro Cocchieri,\u00a0Museo Chini\u00a0(Villa Pecori Giraldi), Borgo San Lorenzo &#8211;\u00a0Firenze, Italy<\/li><li>Dispiegamenti,\u00a0Spazio Canova 22 (Antica Fornace di Antonio Canova), Roma, Italy<\/li><\/ul><p class=\"p1\"><b>2017<\/b><\/p><ul><li>Inspiegata, curated by\u00a0Massimo Carboni,\u00a0Casa della Cultura (ex Asilo), Alanno (Pe), Italy<\/li><\/ul><p class=\"p1\"><b>2016<\/b><\/p><ul><li>Dispiegamenti,\u00a0curated by\u00a0Antonio Ar\u00e9valo\u00a0and\u00a0Daniela Pietranico,\u00a0Alviani Artspace, Pescara, Italy<\/li><li>Decentrato,\u00a0curated by\u00a0Martina Cavallarin,\u00a0Whitelight Art Gallery, Milano, Italy<\/li><\/ul><p class=\"p1\"><b>2015<\/b><\/p><ul><li>Pieghe e Polvere (Folds and dust),\u00a0curated by\u00a0Maria Savarese,\u00a0Museo PAN &#8211; Palazzo delle Arti Napoli, Palazzo Roccella, Napoli, Italy<\/li><\/ul><p class=\"p1\"><b>2013<\/b><\/p><ul><li>Tra le pieghe (Entre le plis),\u00a0curated by\u00a0Laura Gowen,\u00a0galleria Gowen Contemporary,\u00a0Gen\u00e8va Switzerland<\/li><li>Senza titolo,\u00a0curated by\u00a0Alice Zannoni\u00a0and\u00a0Simona Gavioli,\u00a0Solo Show, Setup Art Fair, Bologna, Italy<\/li><\/ul><p class=\"p1\"><b>2012<\/b><\/p><ul><li>III ContrOrdine,\u00a0curated by\u00a0Martina Cavallarin,\u00a0Museo Archeologico, Cannara (Pg), Italy<\/li><\/ul><p class=\"p1\"><b>2010<\/b><\/p><ul><li>Liturgie dell\u2019ineffabile,\u00a0Bastione Romano Torre Bruciata, Teramo, Italy<\/li><\/ul><p class=\"p1\"><b>2007<\/b><\/p><ul><li>Senza titolo con fantasmi,\u00a0Arte Nova &#8211; Fuori Uso, Ex Mattatoio, Pescara, Italy<\/li><li>Via Tacendo,\u00a0Sala Petruccioli, curated by\u00a0Alessandra Di Clemente\u00a0and\u00a0Marianna Fazzi,\u00a0Facolt\u00e0 di Architettura Valle Giulia, Universit\u00e0 degli Studi \u201cLa Sapienza\u201d, Roma, Italy<\/li><\/ul><p class=\"p1\"><b>2006<\/b><\/p><ul><li>Andate a giocare da un\u2019altra parte, curated by\u00a0Raffaele Gavarro,\u00a0Museo delle Arti, Castello De Sterlich-Aliprandi, Nocciano (Pe), Italy<\/li><\/ul><p class=\"p1\"><b>2005<\/b><\/p><ul><li>Errori di\/vini,\u00a0curated by\u00a0Matilde Martinetti,\u00a0Chiostro di San Francesco e Chiesa di Santo Stefano,\u00a0Castiglion Fiorentino (Ar), Italy<\/li><\/ul><p class=\"p1\"><b>2004<\/b><\/p><ul><li>Cullarsi,\u00a0curated by\u00a0Gabriele Simongini,\u00a0MicroGalleria, Accademia di Belle Arti, L\u2019Aquila, Italy<\/li><li>Controindicazioni,\u00a0galleria online Pizia Arte, Teramo, Italy<\/li><\/ul><p class=\"p1\"><b>2002<\/b><\/p><ul><li>L 3,\u00a0curated by\u00a0Emanuela Nobile Mino\u00a0and\u00a0Sabrina Vedovotto,\u00a0Galleria Studio Lipoli &amp; Lopez,\u00a0Roma, Italy<\/li><li>A boccaperta,\u00a0curated by\u00a0Simonetta Lux\u00a0and\u00a0Domenico Scudero,\u00a0MLAC &#8211; Museo Laboratorio di Arte\u00a0Contemporanea, Universit\u00e0 La Sapienza, Roma, Italy<\/li><li>Colpire al cuore del nulla,\u00a0curated by\u00a0Antongiulio Zimarino,\u00a0Galleria Ronnie Arte\u00a0Contemporanea, Chieti, Italy<\/li><\/ul><p class=\"p1\"><b>2001<\/b><\/p><ul><li>Senza Titolo,\u00a0curated by\u00a0Sabrina Vedovotto,\u00a0Space-Home of Ludovico Pratesi, Roma, Italy\u00a0<\/li><\/ul><p class=\"p1\"><b>1999<\/b><\/p><ul><li>Tibo Orene Aliz,\u00a0Centro Multimediale Gli Internauti, L\u2019Aquila, Italy<\/li><\/ul><p class=\"p1\"><b>1998<\/b><\/p><ul><li>Gino Sabatini Odoardi,\u00a0curated by\u00a0Enrico Sconci,\u00a0ex Convento Oratorio delle Grazie,\u00a0Alanno (Pe), Italy<\/li><\/ul><p class=\"p1\"><b>1988<\/b><\/p><ul><li>10 anni di ricerca surreale,\u00a0curated by\u00a0Antonio Capone,\u00a0ex Chiesa Baronale,\u00a0Roccamorice (Pe), Italy<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div id=\"e-n-tab-content-18400312334\" role=\"tabpanel\" aria-labelledby=\"e-n-tab-title-18400312334\" data-tab-index=\"4\" style=\"--n-tabs-title-order: 4;\" class=\" elementor-element elementor-element-5af2eb75 e-con-full e-flex e-con e-child\" data-id=\"5af2eb75\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2efb2969 elementor-widget elementor-widget-text-editor\" data-id=\"2efb2969\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p class=\"p1\"><b>2025<\/b><\/p><ul><li>Spazio Ex Caserma,\u00a0curated by\u00a0Alessandro Cocchieri,\u00a0Museo della Ceramica Contemporanea, Spazio Ex Caserma, Loreto Aprutino (Pe), Italy<\/li><li>MACA,\u00a0XXI\u00b0 Giornata del Contemporaneo, promosso da AMACI,\u00a0Palazzo Tiravanti, Accademia di Belle Arti, Frosinone, Italy<\/li><li>Senza titolo &#8211; Vedovamazzei,\u00a0curated by\u00a0Enzo De Leonibus,\u00a0Museo Laboratorio (ex Manifattura Tabacchi),\u00a0Citt\u00e0 Sant\u2019Angelo (Pe), Italy<\/li><\/ul><p class=\"p1\"><b>2024<\/b><\/p><ul><li>Arte strumento di\u00a0Pace,\u00a0curated by\u00a0Martina Sconci,\u00a0Museo Sperimentale di Arte Contemporanea, MU.SP.A.C. L&#8217;Aquila, Italy<\/li><li>51\u00b0 Premio Sulmona,\u00a0curated by\u00a0Ivan D&#8217;Alberto, Museo &#8220;Ovidio&#8221;, Sulmona (Aq),\u00a0Italy<\/li><li>Museo della Pace,\u00a0curated by\u00a0Martina Sconci,\u00a0Museo Sperimentale di Arte Contemporanea, MU.SP.A.C. L&#8217;Aquila, Italy<\/li><li>Per via del tutto eccezionale,\u00a0curated by\u00a0Antonello Tolve, Fondazione Filiberto e Bianca Menna,\u00a0Roma, Italy<\/li><li>Walking #2,\u00a0curated by\u00a0Antonello Tolve, Kyro Art Gallery, Pietrasanta (Lucca), Italy<\/li><li>Lessema,\u00a0curated by\u00a0Gaetano Centrone,\u00a0Riccardo Costantini Contemporary, Torino, Italy<\/li><li>Ossimori del contemporaneo,\u00a0curated by\u00a0Beatrice Audrito,\u00a0Kyro Art Gallery, Pietrasanta (Lu), Italy<\/li><li>Walking #1,\u00a0Kyro Art Gallery, Pietrasanta (Lucca), Italy<\/li><li>Accademia 50,\u00a0Generazioni Trasformazioni Attraversamenti\u00a0,\u00a0curated by\u00a0Loredana Finicelli\u00a0and\u00a0Maria Stella Bottai,\u00a0Museo MACA, Palazzo Tiravanti, Accademia di Belle Arti, Frosinone, Italy<\/li><\/ul><p class=\"p1\"><b>2023<\/b><\/p><ul><li>Domesticity,\u00a0curated by\u00a0Laura Gowen\u00a0and\u00a0Patricia Lunghi, Design Days (14th edition),\u00a0Gowen Contemporary, Geneva, Switzerland<\/li><li>In Ceramica,\u00a0curated by\u00a0Alessandro Cocchieri, Museo Chini\u00a0(Villa Pecori Giraldi), Borgo San Lorenzo &#8211; Florence, Italy<\/li><li>In Ceramica,\u00a0curated by Alessandro Cocchieri,\u00a0MAXXI L&#8217;Aquila Museo\u00a0Nazionale delle Arti del XXI secolo, L&#8217;Aquila, Italy\u00a0<\/li><li>Stills of Peace and Everyday Life,\u00a0curated by\u00a0Antonio Zimarino, Cisterne Romane di Palazzo Acquaviva, Atri (Te), Italy<\/li><li>Seminaria Sogninterra,\u00a0curated by\u00a0Marianna Fazzi\u00a0and\u00a0Mattia Biagetti,\u00a0Centro storico Maranola\u00a0di Formia (Lt), Italy<\/li><\/ul><p class=\"p1\"><b>2022<\/b><\/p><ul><li>Laboratorio 21,\u00a0curated by\u00a0Enzo De Leonibus,\u00a0Museo Laboratorio (ex Manifattura Tabacchi),\u00a0Citt\u00e0 Sant\u2019Angelo (Pe), Italy<\/li><li>Incroci d&#8217;Arte,\u00a0curated by\u00a0Alessandro Cocchieri,\u00a0Museo Duilio Cambellotti, Latina, Italy<\/li><li>La via del sangue,\u00a0curated by\u00a0Martina Sconci,\u00a0Museo Sperimentale di Arte Contemporanea, MU.SP.A.C. L&#8217;Aquila, Italy<\/li><li>Il Fuoco di Celestino V,\u00a0curated by\u00a0Martina Sconci,\u00a0Museo Sperimentale di Arte Contemporanea, MU.SP.A.C. L&#8217;Aquila, Italy<\/li><li>Jasci &amp; Friends,\u00a0curated by\u00a0Alessandro Jasci,\u00a0Parco delle sculture e casa studio di Alessandro Jasci, Frisa (Ch), Italy<\/li><li>Prova generale,\u00a0curated by\u00a0Enzo De Leonibus,\u00a0Museo Laboratorio (ex Manifattura Tabacchi),\u00a0Citt\u00e0 Sant\u2019Angelo (Pe), Italy<\/li><\/ul><p class=\"p1\"><b>2021<\/b><\/p><ul><li>Sant&#8217;Andrea in Flumine,\u00a0curated by\u00a0Graziano Menolascina,\u00a0Abbazia di Sant&#8217;Andrea in Flumine, Ponzano Romano (Rm), Italy<\/li><li>I Celestini,\u00a0curated by\u00a0Martina Sconci,\u00a0Museo Sperimentale di Arte Contemporanea, MU.SP.A.C. L&#8217;Aquila, Italy<\/li><li>2000-2021 Breve viaggio nella collezione del Museo,\u00a0curated by\u00a0Enzo De Leonibus,\u00a0Museo Laboratorio (ex Manifattura Tabacchi),\u00a0 Citt\u00e0 Sant\u2019Angelo (Pe), Italy<\/li><li>Space-Time Dialogue,\u00a0curated by Han Yufeng,\u00a0Academy of Arts University of Architecture and Technology, Xi\u2019an (China)<\/li><li>Le altre opere. Artisti che collezionano artisti,\u00a0curated by\u00a0Lucilla Catania\u00a0and\u00a0Daniela Perego,\u00a0in collection of\u00a0Donatella Spaziani, Museo Napoleonico,\u00a0Roma, Italy<\/li><li>Percorsi d&#8217;Arte Contemporanea,\u00a0curated by\u00a0Alessandra Moscianese,\u00a0Museo delle Genti d&#8217;Abruzzo, Pescara, Italy<\/li><\/ul><p class=\"p1\"><b>2020<\/b><\/p><ul><li>Riffa 2020 de I Marted\u00ec Critici,\u00a0curated by\u00a0Alberto Dambruoso,\u00a0Temple Gallery, Roma, Italy<\/li><li>Il Contagio dell&#8217;arte,\u00a0curated by\u00a0Martina Sconci,\u00a0Museo Sperimentale di Arte Contemporanea, MU.SP.A.C. L&#8217;Aquila, Italy<\/li><li>La pratica inevasa #3 I Gino D&#8217;Ugo,\u00a0curated by\u00a0Lori Adragna,\u00a0Oratorio di Santa Maria In Sel\u00e0a Tellaro di Lerici (Sp), Italy<\/li><li>AAS Artists Antivirus Selfies Archive,\u00a0curated by\u00a0Brigataes,\u00a0Napoli, Italy \u00a0(quarantined project)<\/li><li>#DaiUnSegno,\u00a0Accademia Nazionale di San Luca, Roma,\u00a0Italy (quarantined project)<\/li><li>L&#8217;Arte non si ferma. Uniti per l&#8217;arte,\u00a0curated by\u00a0Davide Sarchioni,\u00a0TerraMedia, Fondazione LKT &#8211; Luca e Katia Tomassini, Orvieto, Italy (quarantined project)<\/li><li>Sono ancora qua. SetUp to be continued,\u00a0curated by\u00a0Alice Zannoni,\u00a0Autostazione, Bologna, Italy<\/li><\/ul><p class=\"p1\"><b>2019<\/b><\/p><ul><li>101 X 12.11 X Venezia,\u00a0curated by\u00a0Martina Cavallarin,\u00a0Studio Contemporary Art, Venezia, Italy<\/li><li>Cabine d&#8217;Artista \/ Abbi cura,\u00a0curated by\u00a0Paola Pallotta,\u00a0SBA Sporting Beach Arte, Ostia Lido, Roma, Italy<\/li><li>Under Construction #1,\u00a0curated by\u00a0Martina Sconci,\u00a0Museo MU.SP.A.C. L&#8217;Aquila, Italy<\/li><li>Artisti per Celestino V,\u00a0 curated by\u00a0Enrico Sconci, Museo MU.SP.A.C. L&#8217;Aquila, Italy<\/li><li>Termoformature e gli studenti del Workshop,\u00a0curated by\u00a0Anna Maiorano,\u00a0Aula Colleoni, Accademia di Belle Arti, Roma, Italy<\/li><\/ul><p class=\"p1\"><b>2018<\/b><\/p><ul><li><span style=\"font-style: inherit; font-weight: inherit;\">The Time Tunnel,\u00a0curated by\u00a0Lucia Zappacosta,\u00a0Alviani Artspace, Pescara, Italy<\/span><\/li><li><span style=\"font-style: inherit; font-weight: inherit;\">Garantito Accademia, Docenze d&#8217;Artista, M.A.C.A.\u00a0Accademia di Belle Arti, Frosinone, Italy<\/span><\/li><\/ul><p class=\"p1\"><b>2017<\/b><\/p><ul><li>LXVIII Premio Michetti, Fantasmi di luce:\u00a0Estetiche visionarie da Michetti al presente,\u00a0curated by\u00a0Silvia Pegoraro,\u00a0Museo MuMi, Francavilla al Mare (Ch), Italy<\/li><li>XIX Biennale d\u2019Arte Citt\u00e0 di Penne,\u00a0Tessere l\u2019Arte, curated by\u00a0Barbara Martusciello,\u00a0Collegiata di S. Giovanni Evangelista, Penne (Pe), Italy<\/li><li>Borghi,\u00a0viaggio italiano (MIBACT), curated by\u00a0Laura Cutilli,\u00a0Terme di Diocleziano, Roma, Italy\u00a0<\/li><\/ul><p class=\"p1\"><b>2016<\/b><\/p><ul><li>Progetto impossibile,\u00a0curated by Saverio Todaro, Nicus Luc\u00e0 and Silvano Costanzo, Spaziobianco, Torino, Italy<\/li><li>Lux+Luxury,\u00a0curated by\u00a0Raimonda Z. Bongiovanni,\u00a0Galleria Bongiovanni Belgravia, Bologna, Italy<\/li><li>Collezione permanente,\u00a0curate by\u00a0Enrico Sconci,\u00a0Museo MU.SP.A.C., L&#8217;Aquila, Italy<\/li><li>Moments of the he-arts,\u00a0curated by\u00a0Raimonda Z. Bongiovanni,\u00a0Galleria Bongiovanni Belgravia, Bologna, Italy<\/li><li>Urban Rainbow,\u00a0Omaggio a\u00a0Franco Summa, curated by\u00a0Enrico Crispolti,\u00a0Museo Michetti,\u00a0Francavilla al Mare (Ch), Italy<\/li><li>Seminaria Sogninterra,\u00a0curated by\u00a0Marianna Fazzi\u00a0and\u00a0Isabella Indolfi,\u00a0Centro storico Maranola\u00a0di Formia (Lt), Italy<\/li><li>Yes S S,\u00a0curated by\u00a0Raimonda Z. Bongiovanni,\u00a0Galleria Bongiovanni Belgravia, Bologna, Italy<\/li><li>MAY you be ALWAYS\u00a0be happy?,\u00a0curated by\u00a0Raimonda Z. Bongiovanni,\u00a0Galleria Bongiovanni Belgravia,\u00a0Bologna, Italy<\/li><li>I materiali della pittura,\u00a0curated by\u00a0Davide Sarchioni,\u00a0Spazio Il Frantoio, Capalbio (Gr), Italy<\/li><li>AiR,\u00a0curated by\u00a0Ivan D\u2019Alberto,\u00a0Eremo di San Venanzio, Raiano (Aq), Italy<\/li><li>Art Hotel,\u00a0curated by\u00a0Maria Savarese,\u00a0Hotel Gran Paradiso, Sorrento (Na), Italy<\/li><li>Affordable Art Fair,\u00a0Whitelight Art Gallery, Superstudio Pi\u00f9, Milano, Italy<\/li><\/ul><p class=\"p1\"><b>2015<\/b><\/p><ul><li>Circolare,\u00a0curated by\u00a0Simona Gavioli\u00a0and\u00a0Alice Zannoni,\u00a0Autostazione, Bologna, Italy<\/li><li>Algoritmo,\u00a0curated by\u00a0Serena Achilli,\u00a0Centro storico, Civita di Bagnoregio (Vt), Italy<\/li><li>The Island of Art \u2013 Canone Inverso,\u00a0curated by\u00a0Marco Izzolino\u00a0and\u00a0Lucia Zappacosta,<\/li><li>Certosa di San Giacomo, Capri (Na), Italy<\/li><li>Stills of Peace,\u00a0curated by\u00a0Antonio Zimarino\u00a0e\u00a0Marta Michelacci,\u00a0Museo Capitolare,\u00a0Cripta della Cattedrale, Atri (Te), Italy<\/li><li>Tra Terra e Cielo,\u00a0curated by\u00a0Daniela Luciani,\u00a0Aurum, Pescara, Italy<\/li><li>MOY DOM, NoName Space,\u00a0curated by\u00a0Azzurra Utta,\u00a0Oak Seed Studio, Milano, Italy<\/li><\/ul><p class=\"p1\"><b>2014<\/b><\/p><ul><li>Seminaria Sogninterra,\u00a0curated by\u00a0Marianna Fazzi\u00a0and\u00a0Isabella Indolfi,\u00a0Centro storico, Maranola\u00a0di Formia (Lt), Italy<\/li><li>Abruzzo Contemporanea,\u00a0curated by\u00a0Fiona Liberatore,\u00a0Museo Civico &#8211; Rivisondoli (Aq), Italy<\/li><li>Epidermide,\u00a0curated by\u00a0Amel\u00ec Liana Lasaponara\u00a0and\u00a0Angelo Raffaele Villani,\u00a0Cattedrale di San\u00a0Cataldo, Taranto, Italy<\/li><li>VarioArt 2010\/2014,\u00a0Maison des Arts, Fondazione Pescarabruzzo &#8211; Pescara, Italy<\/li><\/ul><p class=\"p1\"><b>2013<\/b><\/p><ul><li>Sight 2013\/14,\u00a0curated by\u00a0Enzo De Leonibus,\u00a0Museo Laboratorio (ex Manifattura Tabacchi), Citt\u00e0\u00a0Sant\u2019Angelo (Pe), Italy<\/li><li>La sequenza del fiore di carta,\u00a0curated by\u00a0Martina Cavallarin,\u00a0Scatolabianca-Incubatore,\u00a0Sant\u2019Elena, Venezia, Italy<\/li><\/ul><p class=\"p1\"><b>2012<\/b><\/p><ul><li>Undici allunaggi possibili,\u00a0curated by\u00a0Martina Cavallarin,\u00a0Palazzo C\u00e0 Zenobio, Collegio Armeno\u00a0Moorat Raphael, Venezia, Italy<\/li><li>Y. Tensione superficiale,\u00a0curated by\u00a0Simona Caramia,\u00a0Galleria Rossocontemporaneo,\u00a0Taranto, Italy<\/li><\/ul><p class=\"p1\"><b>2011<\/b><\/p><ul><li>L\u2019arte non \u00e8 cosa nostra,\u00a0curated by\u00a0Vittorio Sgarbi,\u00a054\u00b0 Esposizione Internazionale d\u2019Arte\u00a0La Biennale di Venezia,\u00a0Padiglione Italia, Arsenale, Venezia, Italy<\/li><li>Su Nero Nero &#8211; Over Black Black,\u00a0curated by\u00a0Franz Paludetto,\u00a0Castello di Rivara,\u00a0Rivara (To), Italy<\/li><li>Centocinquanta,\u00a0curated by\u00a0Daniela Cotimbo,\u00a0Museo MACO\u2019, Lizzano (Ta), Italy<\/li><li>Eppur si muove,\u00a0Galleria Cesare Manzo, Pescara, Italy<\/li><\/ul><p class=\"p1\"><b>2010<\/b><\/p><ul><li>Unbroken beat of soul &#8211; Ininterrotto battito d\u2019anima,\u00a0Terzo Festival Mediterraneo della Laicit\u00e0,\u00a0curated by\u00a0Antonio Zimarino,\u00a0Ex Aurum, Pescara, Italy<\/li><li>Maga Circe,\u00a0Biennale di Scultura, curated by\u00a0Vittoria Zileri Dal Verme,\u00a0Giardini di Vigna,\u00a0La Corte, San Felice Circeo (Lt), Italy<\/li><li>Premiata Officina Trevana,\u00a0curated by Maurizio Coccia,\u00a0Matilde Martinetti\u00a0and\u00a0Mara Predicatori,\u00a0Centro D\u2019Arte Contemporanea Palazzo Lucarini Contemporary, Trevi (Pg), Italy<\/li><li>Artisti per la salute,\u00a0curated by\u00a0Marco Maiocchi, Galleria Derbylius, Milano, Italy<\/li><\/ul><p class=\"p1\"><b>2009<\/b><\/p><ul><li>21 Artisti per L\u2019Aquila,\u00a0curated by\u00a0Barbara Drudi, Lea Mattarella,\u00a0Galleria Marte, Roma, Italy<\/li><li>Upupa,\u00a0curated by\u00a0Grazia De Palma,\u00a0Galleria BLUorG, Bari, Italy<\/li><li>Il Castello di Rivara apre le cantine,\u00a0curated by\u00a0Francesca Solero,\u00a0Castello di Rivara, Torino, Italy<\/li><li>Art Verona,\u00a0Galleria Oredaria Arti Contemporanee, Quartieri Veronafiere, Verona, Italy<\/li><li>Cromofobie: percorsi del bianco e del nero nell\u2019arte italiana contemporanea,\u00a0curated by SilviaPegoraro,\u00a0Ex Aurum, Pescara, Italy<\/li><li>Cento Artisti per L\u2019Aquila,\u00a0curated by\u00a0Roberto Rodriguez,\u00a0Museo d\u2019Arte Moderna \u201cVittoria Colonna\u201d, Pescara, Italy<\/li><li>Dono 2,\u00a0curated by Anna Maiorano and Cristina Reggio, Microgalleria, Accademia di Belle Arti,\u00a0L\u2019Aquila, Italy<\/li><\/ul><p class=\"p1\"><b>2008<\/b><\/p><ul><li>Dono 1,\u00a0curated by\u00a0Anna Maiorano\u00a0and\u00a0Cristina Reggio,\u00a0MicroGalleria, Accademia di Belle Arti,\u00a0L\u2019Aquila, Italy<\/li><li>Storie di matite,\u00a0curated by\u00a0Olga Gambari,\u00a0Spazio Azimut, Torino, Italy<\/li><li>Take a deep breath,\u00a0curated by\u00a0Francesca Referza\u00a0and\u00a0Antonio Zimarino,\u00a0Area Esp\u00f2, Spoltore (Pe), Italy<\/li><li>Spaesamenti:\u00a07 artisti intorno a De Chirico, curated by\u00a0Silvia Pegoraro,\u00a0Borgo Medioevale,\u00a0Castelbasso (Te), Italy<\/li><li>Gap,\u00a0curated by\u00a0Claudia Civitarese,\u00a0Museo d\u2019Arte Moderna \u201cVittoria Colonna\u201d, Pescara, Italy<\/li><\/ul><p class=\"p1\"><b>2007<\/b><\/p><ul><li>Attraversamenti,\u00a0curated by\u00a0Olga Gambari,\u00a0Galleria MAR &amp; Partners, Torino, Italy<\/li><li>Annuale 2007: L\u2019Aquila in nome di Celestino V,\u00a0curated by\u00a0Enrico Sconci,\u00a0Chiesa di S. M. dei Raccomandati, L\u2019Aquila, Italy<\/li><li>Godart 2007,\u00a0curated by\u00a0Enzo De Leonibus,\u00a0Museo Laboratorio (ex Manifattura Tabacchi),\u00a0Citt\u00e0 Sant\u2019Angelo (Pe), Italy<\/li><li>Anatema,\u00a0curated by\u00a0Francesca Referza,\u00a0Quarter Apartment, Teramo, Italy<\/li><li>Collezione MAAAC,\u00a0curated by\u00a0Antonio Zimarino,\u00a0Museo delle Arti,\u00a0Castello De Sterlich-Aliprandi, Nocciano (Pe), Italy<\/li><\/ul><p class=\"p1\"><b>2006<\/b><\/p><ul><li>Index,\u00a0curated by\u00a0Arianna Rosica\u00a0and\u00a0Massimiliano Scuderi,\u00a0Palazzo Sanit\u00e0 di Toppi,\u00a0<span style=\"font-style: inherit; font-weight: inherit;\">Chieti, Italy<\/span><\/li><li>Godart 2006,\u00a0curated by\u00a0Enzo De Leonibus,\u00a0Museo Laboratorio (ex Manifattura Tabacchi),\u00a0Citt\u00e0 Sant\u2019Angelo (Pe), Italy<\/li><li>Cort\u00ecCort\u00f2,\u00a0Spazio Claudia Conforto, Dueville (Vicenza), Italy<\/li><li>I Love Abruzzo,\u00a0curated by\u00a0Arianna Rosica\u00a0and\u00a0Massimiliano Scuderi,\u00a0ex Mercato\u00a0Ortofrutticolo (COFA), Pescara, Italy<\/li><li>\u00a0Expo: Bo-Art,\u00a0Galleria MAV Magatzemas d\u2019Art Valenci\u00e0, Valencia, Spain<\/li><\/ul><p class=\"p1\"><b>2005<\/b><\/p><ul><li>Abruzzo Felix,\u00a0Palazzo Caccianini, Frisa (Ch), Italy<\/li><li>HyPe,\u00a0Hype Gallery, Stabilimenti Assab One, Milano, Italy<\/li><li>Premio Celeste,\u00a0curated by\u00a0Gianluca Marziani,\u00a0II ed. Magazzini del Sale in Palazzo Pubblico, Siena, Italy<\/li><li>Artissima 12,\u00a0Galleria Oredaria Arti Contemporanee, Lingotto Fiere, Torino, Italy<\/li><li>Pi-five, (Private Impact),\u00a0curated by\u00a0Antoni Karwowski,\u00a0Koszary Sztuki in Swinoujscie \/ National\u00a0Museum in Szczecin \/ Place of Art OFFcyna in Szczecin (Polonia) \/ AktionsBank, Berlin<\/li><li>Passaggio a Sud,\u00a0curated by\u00a0Adriana Martino\u00a0and\u00a0Antonio Picariello,\u00a0Palazzo Scassa,\u00a0<span style=\"font-style: inherit; font-weight: inherit;\">Spoltore (Pe), Italy<\/span><\/li><li>Godart 2005,\u00a0curated by\u00a0Enzo De Leonibus,\u00a0Museo Laboratorio (ex Manifattura Tabacchi), Citt\u00e0 Sant\u2019Angelo (Pe), Italy<\/li><li>Bagaglio da Viaggio &#8211; Appunti di un luogo,\u00a0curated by\u00a0Enzo De Leonibus,\u00a0Bologna Flash Art\u00a0Show, Hotel Sofitel, Bologna, Italy<\/li><li>Artisti per la Palestina, curated by\u00a0Marcello Carriero,\u00a0Museo Laboratorio (ex Manifattura Tabacchi), Citt\u00e0 Sant\u2019Angelo (Pe), Italy\u00a0<\/li><\/ul><p class=\"p1\"><b>2004<\/b><\/p><ul><li>Art pour la Palestine,\u00a0curated by\u00a0Marcello Carriero,\u00a0Parc des Expositions, Hall 5, Porte de Versailles, Paris<\/li><li>Godart 2004,\u00a0curated by\u00a0Enzo De Leonibus,\u00a0Museo Laboratorio (ex Manifattura Tabacchi),\u00a0Citt\u00e0 Sant\u2019Angelo (Pe), Italy<\/li><li>Al caro Giorgio,\u00a0Libreria Bocca, Galleria Vittorio Emaneule II, Milano, Italy<\/li><li>Le sembianze anatomiche sono una variabile,\u00a0Villa Aragona Cut\u00f2, Bagheria (Pa), Italy<\/li><\/ul><p class=\"p1\"><b>2003<\/b><\/p><ul><li>MAC 2003,\u00a0IX ed. curated by\u00a0Giacomo Zaza,\u00a0Santa Maria Gualtieri, Pavia, Italy<\/li><li>En Plein Air,\u00a0Strada Baudanesca, Pinerolo (To), Italy<\/li><li>Collezione permanente,\u00a0curated by\u00a0Enzo De Leonibus,\u00a0Museo Laboratorio (ex Manifattura\u00a0Tabacchi), Citt\u00e0 Sant\u2019Angelo (Pe), Italy<\/li><li>Unimovie,\u00a0VII ed. Internazionale University Video&amp;Short Film Festival, Museo-Laboratorio,\u00a0Citt\u00e0 Sant\u2019Angelo (Pe), Italy<\/li><\/ul><p class=\"p1\"><b>2002<\/b><\/p><ul><li>L 3,\u00a0curated by\u00a0Emanuela Nobile Mino\u00a0and\u00a0Sabrina Vedovotto,\u00a0Galleria Studio Lipoli\u00a0<span style=\"font-style: inherit; font-weight: inherit;\">&amp; Lopez, Roma, Italy<\/span><\/li><li>Christmas Mail,\u00a0International Mail Art Exhibition, Art Gallery Ripustus, H\u00e4meenlinna, Finland<\/li><li>Contemporanea,\u00a06\u00b0 Salone Internazionale d\u2019Arte Moderna, Palazzo Fiere, Forl\u00ec, Italy<\/li><li>Arte e Scienza per la vita,\u00a0II ed. Spazio ex Boglietti, Biella, Italy<\/li><li>Convergenze.02,\u00a0curated by Sabrina Vedovotto, Museo Civico, Colonnella (Te), Italy<\/li><li>La mia prima volta,\u00a0curated by Ludovico Pratesi, Spazio Futuro, Roma, Italy<\/li><\/ul><p class=\"p1\"><b>2001<\/b><\/p><ul><li>Per un Futuro migliore,\u00a0curated by\u00a0Ludovico Pratesi,\u00a0Spazio Futuro, Roma, Italy<\/li><li>Il Mare: Emancipazione e Redenzione,\u00a0XIV ed. curated by\u00a0Giacomo Zaza,\u00a0ex Convento di\u00a0<span style=\"font-style: inherit; font-weight: inherit;\">San Domenico, Molfetta (Ba), Italy<\/span><\/li><li>Adriatico: Le due sponde,\u00a0curated by\u00a0Angela Vettese,\u00a052\u00b0 Premio Michetti, Museo Michetti,\u00a0Francavilla al Mare (Ch), Italy<\/li><li>Avanzi di fine millennio,\u00a0curated by\u00a0Ludovico Pratesi,\u00a0Spazio Futuro, Roma, Italy<\/li><li>Agazzi Ars,\u00a0V Premio\u00a0Internazionale, Palazzo Carrara Furietti, Presezzo (Bergamo),\u00a0Italy<\/li><\/ul><p class=\"p1\"><b>2000<\/b><\/p><ul><li>Lo Scandalo dello Spirito,\u00a0curated by\u00a0Enrico Sconci,\u00a0Annuale d\u2019Arte 2000, Castello Cinquecentesco (Forte Spagnolo), L\u2019Aquila, Italy<\/li><li>900: Artisti ed Arte in Abruzzo,\u00a0curated by\u00a0Antongiulio Zimarino,\u00a0Museo Michetti,\u00a0<span style=\"font-style: inherit; font-weight: inherit;\">Francavilla al Mare (Ch), Italy<\/span><\/li><\/ul><p class=\"p1\"><b>1999<\/b><\/p><ul><li>Artisti &amp;venti 1944 &#8211; 1999,\u00a0curated by\u00a0Antonio Gasbarrini,\u00a0Castello Cinquecentesco\u00a0(Forte Spagnolo), L\u2019Aquila, Italy<\/li><li>David Molinari,\u00a0II Borsa di Studio, Accademia di Belle Arti, Firenze, Italy<\/li><li>Les Troph\u00e9es de la couleur,\u00a0curated by Alfred Pacquement, Ecole Nationale des\u00a0Beaux-Arts, Palais des Etudes, Paris<\/li><li>XXVII Biennale d\u2019Arte di Alatri,\u00a0curated by\u00a0Luigi Fiorletta\u00a0and\u00a0Loredana Rea,\u00a0Chiostro di\u00a0San Francesco, Alatri (Fr), Italy<\/li><\/ul><p class=\"p1\"><b>1998<\/b><b><\/b><\/p><ul><li>Aniene percorsi del senso,\u00a0curated by\u00a0Enrico Sconci,\u00a0ex Cartiera Marziale, Tivoli (Roma), Italy<\/li><li>Castrum Sancti Angeli Postazioni D\u2019Arte,\u00a0curated by\u00a0Enrico Sconci,\u00a0Castello Orsini,<\/li><li>Castel Madama, (Roma), Italy<\/li><li>Saxula Postazioni D\u2019Arte,\u00a0curated by\u00a0Enrico Sconci,\u00a0Castel Bravaccio,\u00a0San Gregorio da Sassola (Roma), Italy<\/li><li>Seminario di Arti Visive,\u00a0curated by\u00a0Sergio Risaliti,\u00a0Basilica di Santa Maria\u00a0Maggiore di Collemaggio, L\u2019Aquila, Italy<\/li><li>Metamorfosi dei corpi,\u00a0curated by\u00a0Lea Contestabile,\u00a0Accademia di Belle Arti, L\u2019Aquila, Italy<\/li><\/ul><p class=\"p1\"><b>1997<\/b><\/p><ul><li>Premio di Pittura Hendrick Christian Andersen,\u00a0Accademia di San Luca, Roma, Italy<\/li><li>Teatrarte Novantasette,\u00a0Teatro Gabriele D\u2019Annunzio, Pescara, Italy<\/li><li>Colore Forma,\u00a0ex Convento Santa Maria dei Raccomandati, L\u2019Aquila, Italy<\/li><li>Amleto Cencioni,\u00a0Castello Cinquecentesco (Forte Spagnolo), L\u2019Aquila, Italy<\/li><\/ul><p class=\"p1\"><b>1996<\/b><\/p><ul><li>Punti di vista d\u2019Arte Immateriale,\u00a0curated by Francesco Delli Santi, Fontana della Rivera (99 Cannelle), L\u2019Aquila, Italy<\/li><li>Le Mele marce,\u00a0curated by Francesco Delli Santi, Accademia d\u2019Europa, Roma, Italy<\/li><li>Il Corpo in gioco,\u00a0curated by\u00a0Lea Contestabile,\u00a0Borgo Fortificato Castelnuovo di\u00a0S. Pio delle Camere, L\u2019Aquila, Italy<\/li><\/ul><p class=\"p1\"><b>1995<\/b><\/p><ul><li>Basilio Cascella,\u00a0Palazzo Farnese, Ortona (Ch), Italy<\/li><\/ul><p class=\"p1\"><b>1990<\/b><\/p><ul><li>Il Pennello d\u2019oro,\u00a0curated by Vittorio Sgarbi e Kathleen Nottridge, Palazzo dell\u2019Annunziata,\u00a0Sulmona (Aq), Italy<\/li><\/ul><p class=\"p1\"><b>1989<\/b><\/p><ul><li>Primavera della Valpescara,\u00a0curated by\u00a0Giovanni Marzoli,\u00a0Teatro Comunale, Alanno (Pe), Italy<\/li><\/ul><p class=\"p1\"><b>1986<\/b><\/p><ul><li>XXI Sec. Immagini del futuro,\u00a0Spazio Fideuram, Pescara, Italy<\/li><\/ul><p class=\"p1\"><b>1984<\/b><\/p><ul><li>Primule,\u00a0curated by\u00a0Giovanni Marzoli, ex Convento Francescano, Alanno (Pe), Italy<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"featured_media":5260,"template":"elementor_header_footer","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"categories":[54],"tags":[],"class_list":["post-6049","artista","type-artista","status-publish","has-post-thumbnail","hentry","category-54"],"_links":{"self":[{"href":"https:\/\/kyroartgallery.com\/en\/wp-json\/wp\/v2\/artista\/6049","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kyroartgallery.com\/en\/wp-json\/wp\/v2\/artista"}],"about":[{"href":"https:\/\/kyroartgallery.com\/en\/wp-json\/wp\/v2\/types\/artista"}],"version-history":[{"count":35,"href":"https:\/\/kyroartgallery.com\/en\/wp-json\/wp\/v2\/artista\/6049\/revisions"}],"predecessor-version":[{"id":7380,"href":"https:\/\/kyroartgallery.com\/en\/wp-json\/wp\/v2\/artista\/6049\/revisions\/7380"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kyroartgallery.com\/en\/wp-json\/wp\/v2\/media\/5260"}],"wp:attachment":[{"href":"https:\/\/kyroartgallery.com\/en\/wp-json\/wp\/v2\/media?parent=6049"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kyroartgallery.com\/en\/wp-json\/wp\/v2\/categories?post=6049"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kyroartgallery.com\/en\/wp-json\/wp\/v2\/tags?post=6049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}